France 5 accusations against paper-cardboard packaging: media manipulation denounced

The documentary Cartons, sacs en papier : la fausse bonne idée? broadcast on September 16, 2024 by France 5, has caused an uproar in the paper and cardboard packaging industry. Accusing the program of manipulating figures and obscuring crucial elements, industry professionals point to deliberate biases and omissions that steer opinion towards a false environmental vision.

France 5's recent documentary on paper and cardboard packaging provoked a strong reaction from the industry. After attracting 823,000 viewers, i.e. 4% audience share, the program provoked strong reactions from the paper and cardboard packaging industry. Although the report was intended to denounce the excesses of this sector, it seems to have rallied the profession against it. In a press release dated September 17, Copacel, Cofepac and the Filpac-CGT, CFDT, FO and CFE-CGC unions strongly criticized the biased treatment of the program. The organizations point out that they had provided journalists with a great deal of information in advance, but that this was largely ignored. They denounced the program's blatant errors and biased approach, accusing it of favoring militant discourse over balanced debate.

Information manipulation: the limits of abusive generalization

One of the main criticisms levelled by the paper and cardboard packaging industry against the France 5 documentary concerns the recurring issue of paper bags. The program asks: "Are they made from recycled materials? . A question that seems to imply that the industry claims to use only recycled fibers. However, this assertion has never been made by the industry. In fact, paper bag production relies mainly on virgin fibers for specific technical reasons, such as strength and capacity. These choices are in no way an environmental obstacle, as the industry has already explained to the editorial team, with figures to back it up.

The procedure employed by the program is therefore based on an abusive generalization and the construction of a presupposition that has never been defended by the industry. This approach leads to a distorted vision of actual practices, ignoring the fact that these bags represent less than 3% of paper and cardboard packaging, and that, for the rest, over 90% is made from recycled cardboard. By focusing on one exception, the documentary fails to provide the viewer with the contextual elements necessary for a proper understanding of the situation.

Shocking figures, but misinterpreted

The program continues in the same vein, evoking the 200,000 tons of old cardboard exported to Vietnam. The ominous music and alarmist tone reinforce the idea of a massive and problematic fact. Yet this figure represents barely 3% of the old cardboard collected in France. This choice of staging, accompanied by partial commentary, masks the reality: the majority of consumer goods are imported from Asia, often in cardboard packaging. It's only logical that some of this packaging should be returned to Asia to be recycled and reused in new production cycles. In fact, the industry advocates local recycling, and this export remains an ultra-minority compared to the 90% of cardboard recycled in France and Europe.

The choice of filming near a major French port undoubtedly contributes to presenting a situation that appears to be in the majority, but is in fact marginal. This type of equivocal presentation deprives the viewer of an overall vision and encourages a biased perception of the facts.

Key information omitted: wood supplies

Another striking example of manipulation concerns the presentation of wood harvesting. The documentary, which aims to verify the origin of the virgin fibers used in paper production, shows images of clear-cutting, whereas it is actually about thinning. This detail, ignored by the editors, misleads the viewer, suggesting that the company is lying about its supplies. What's more, the program doesn't specify that the clear-cutting shown is largely for uses other than paper production, reinforcing the misconception that forest resources are being abused.

This technique of image substitution plays on the viewer's perceptions, giving the impression that destructive practices are at work in the paper industry, whereas the majority of supplies come from sustainably managed European forests.

Recycling and water consumption: a loaded treatment

The recycled paper production plant featured in the documentary is also the subject of a biased attack. The program implies that the company has refused to open its doors, suggesting that it is trying to hide environmentally unfriendly practices. It also claims that recycling would consume massive quantities of water. But this claim is misleading: 90% of the water used by paper mills is returned after treatment. By overlooking these details, the program presents a truncated and negative view of the recycling process, which is renowned for its low water impact.

A strategic omission of the impacts of reuse

Throughout the documentary, the reuse of packaging is presented as the only viable solution for the environment. However, the program never mentions the real impact of reuse. Recent studies, notably those by ADEME and the European Commission's Joint Research Center, have shown that reuse can, in some cases, generate greater environmental impacts than recycling, not least because of the washing and transport processes involved. The documentary highlights the heavy, complex machinery used to clean reused crates, without ever questioning the ecological balance of these operations. The intensive use of water and chemicals in the washing process is overlooked, even as the program criticizes the use of water in recycling.

An industry in search of a balance between reuse and recycling

The paper and cardboard industry does not deny the relevance of the debate between reuse and recycling. However, it insists on the importance of basing these choices on comprehensive and comparative environmental assessments, which the documentary fails to do. By focusing solely on the negative aspects of recycling, the program omits major facts, such as the industry's growing use of renewable energies, and the fact that the paper and cardboard packaging recycling rate is close to 90%, ahead of European targets. A more balanced report would have given the general public a better understanding of the real challenges facing this sector.

Press release COPACEL - COFEPAC - FO, CFE-CGC, CGT and CFDT
France 5's program on paper and cardboard packaging: an example of information manipulation that should be studied in journalism schools

Manipulation No. 1: Don't hesitate to make sweeping generalizations

The program presents as a shocking figure the fact that 200,000 tonnes of waste paper and cardboard are exported to Vietnam for recycling. In reality, this tonnage represents only 3% of the volume collected in France. In fact, almost 90% of the "waste paper and cardboard" recovered in France is recycled in France and neighbouring countries. The program's choice of location close to a port has probably contributed to presenting these very small flows as a reality that is "nothing out of the ordinary".

Manipulation no. 2: Alleging facts that are not accurate in order to contradict them

When a voice-over asks the question "Are all bags made from recycled material?", it implies that this type of claim is widespread. It had been explained to the editors in advance, in writing, that this message is inaccurate. Depending on the bag's characteristics (food contact, resistance, capacity, whiteness, etc.), either virgin fibers (derived directly from wood) or recycled fibers are used, the two types of fiber being complementary (the brittleness and loss of fibers during recycling, as specified, means that virgin fibers must be used, without adversely affecting the environmental balance).

Manipulation no. 3: state one thing, but show another

The program rightly mentions that the wood used for pulp production comes from sawmill off-cuts or clear-cuts. But rather than showing a thinning cut, the images presented on screen are those of a clear cut, even though 80% of such a cut is not used for papermaking and does not end up in paper mills or paper bags. The process is reminiscent of the surrealist Magritte, who painted one object by naming it after another.

Manipulation no. 4: Presenting a normal silvicultural operation as a practice harmful to the environment

Clear-cutting is presented as "the factory looks like a wart", even though it is a stage in the silviculture of maritime pine, which has a life cycle of 45 to 50 years. The Landes de Gascogne forest is the fruit of the political will of Napoleon III, who, in 1857, wanted to reclaim the swamps. Those involved in this area are committed to perpetuating the multifunctional management of this massif (wood production, biodiversity preservation...). With this type of silviculture, the areas harvested during clear-cutting are replanted with new seedlings, in accordance with French regulations. The ambiguity here is to equate clear-cutting with deforestation, even though the size of the massif has remained unchanged for decades. The same process is used when referring to boreal forests, where, in reference to clear-cutting followed by forest regeneration, it is stated that "I erase the factory from my photos because it's really too ugly".

recycling, maybe because it uses a lot of water?

Manipulation no. 6: using inappropriate terms or obsolete figures to denigrate a product's environmental performance

As regards the cup undergoing chemical analysis, the terms are once again anxiety-provoking and inappropriate. There is no "; " in the cup studied, and the journalists did not see fit to repeat all the details provided by the manufacturer in the report. Furthermore, the questioning of the compostability of this cup is unfounded in view of the OK compost HOME certification obtained by the company, which attests to the product's non-toxicity.
Furthermore, the comparative study of the carbon footprint of cups presented is in fact obsolete and based on old databases that underestimate the impact of plastic and overestimate the impact of cardboard. This study is neither standardized nor certified by third parties, and does not take into account the effect of recycling the 92% of cardboard making up the cups on the French market today. Carried out by a start-up that promotes reuse, it also displays results that correspond to products different from those shown and weighed on the screen. As for the reusable cup, whose carbon footprint is not presented for comparison, nothing is said about the impact of the washing and transport phase, which benchmark life-cycle analyses have shown to be clearly much greater than that of a single-use paper cup.

Manipulation 7: Promoting the reuse of packaging while remaining silent about its environmental impact

Packaging reuse is presented as the only environmental solution, with no mention of its impact. However, serious research would have revealed several studies on this subject, which established that, depending on the sector, materials and actual performance (recycling rates, distances covered, actual number of reuses, etc.), the reuse industry could have greater environmental impacts than recycling. For example, while the show promotes complex electronic machines for cleaning a few glasses in offices, it could have communicated on the environmental performance of this type of alternative which, contrary to the show's claims, cannot be implemented "wpb_text_column wpb_content_element ". The paper and cardboard packaging industry has never contested the relevance of the choice between recycling or reuse, as long as the environmental balance proves the superiority of one or the other for a given use.